Sophie Chalk (she/they) is a transdiciplinary photographic artist working primarily with concepts of queer ecology and historical archive. Drawing upon photographic history and theory, her works are powered by the notion that the near ubiquitous practice of photography can be a driving force for social engagement and change. Employing alternative photographic and printmaking methods from the 19th Century, contemporary darkroom processes, through to cameraless techniques and some of her own creation. Chalk’s portfolio features a contemporary archive of queer bodies on tintype, alongside ephemeral, color-shifting botanical prints created by (mis)using museum grade chemistry.
Chalk’s works are influenced by a childhood in Meanjin on Turrbal land, the transformative visual language of the Australian bush and the opportunities it can offer in experiencing the sublime. Her practice ultimately examines the role of the photographic in the contemporary landscape as a medium that invites us to re-see and witness again. Creating direct avenues and opportunities to challenge our existing perception. Earning a BFA in Digital Media and Film at Deakin University, (Melbourne, AUS) and a MFA in Photography at Parsons School of Design (New York, USA). Chalk has exhibited in Melbourne (AUS), Brisbane (AUS), Adelaide (AUS), Pingyao (CN), Bandung (ID), Barcelona (ES), Minneapolis (USA) and New York City (USA).